{"id":6,"date":"2014-02-10T17:24:40","date_gmt":"2014-02-10T17:24:40","guid":{"rendered":"http:\/\/dhcrowdscribe.com\/crowdmap-the-crusades\/?page_id=6"},"modified":"2019-02-26T15:55:12","modified_gmt":"2019-02-26T15:55:12","slug":"people","status":"publish","type":"page","link":"http:\/\/dhcrowdscribe.com\/crowdmap-the-crusades\/people\/","title":{"rendered":"People"},"content":{"rendered":"

About the Project Organisers<\/strong><\/p>\n

Principal Investigator: Emma Goodwin<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Emma is a D Phil Candidate at Merton College, University of Oxford, finalising a thesis entitled \u2018Conceptualising National Identity in late twelfth-century chanson de geste<\/em> composed in French\u2019. She is Principal Investigator of the AHRC-funded Collaborative Skills Project, \u2018Promoting Interdisciplinary Engagement in the Digital Humanities\u2019 (dhAHRC). Emma also set up the DHCrowdScribe and CrowdMapCrusade (formally MapFirstCrusade) digital projects, which are affiliated to the dhAHRC project and supported by the Oxford Research Centre for the Humanities (TORCH).<\/p>\n

Emma has published on crusade epic and medieval narrative verse and has presented in French and English both in the UK and overseas. She teaches medieval literature to French undergraduates and is a committee member of the Soci\u00e9t\u00e9 Rencesvals (British Branch). \u00a0Emma is a former bursary award holder of the Digital Humanities at Oxford Summer School, held\u00a0a funded internship in Digital Humanities at the Deutsche Literatur Archiv in Marbach, Germany in Autumn 2014, where she was awarded a S\u00fchrkamp scholarship. In July 2018 Emma was awarded a DAAD scholarship to attend the European Summer University in Digital Humanities at the University of Leipzig.<\/p>\n

Emma\u00a0has an M.A. in Medieval and Modern Languages from Cambridge University (French and German)\u00a0and an M.A. in French Literature and College from Kings’ College London. She is also\u00a0a qualified chartered accountant (FCA)\u00a0and information systems auditor (CISA).<\/p>\n

Publications and Teaching<\/p>\n

Journal Articles\/ Book chapters<\/p>\n

\u2018Textually embedded discursive strategies which aim to construct national identity in Old French Epic\u2019 in Hulya Tafli (ed.) Texts and Territories: The Curious History of the Middle Ages<\/span><\/em>, Cambridge Scholars Publishing, 2018.<\/p>\n

\u2018Translating La Chastelaine de Vergy into Medieval Dutch and Medieval Italian\u2019, General Issue Queeste, 2019\u00a0(forthcoming).<\/p>\n

\u2018Strat\u00e9gies discursives qui visent \u00e0 construire une identit\u00e9 nationale? Une comparaison de quelques chansons de gestes? \u2019, Actes du colloque \u00e0 l\u2019ENS Lyon\u00a0: <\/em>L\u2019\u00c9pop\u00e9e sensible : les \u00e9motions de l\u2019Europe m\u00e9di\u00e9vale et le discours \u00e9pique<\/em><\/span> in Colloques, congr\u00e8s, conf\u00e9rences : Le Moyen \u00c2ge<\/span><\/em>, Mich\u00e8le Gu\u00e9ret-Lafert\u00e9 et Jeanne-Marie Boivin (eds), Honor\u00e9 Champion, 2019 (forthcoming).<\/p>\n

\u2018Des strat\u00e9gies discursives qui d\u00e9passent les textes et visent \u00e0 attirer les lecteurs ?\u00a0 Comparaison de la Chanson d\u2019Antioche \u00e0 d\u2019autres chansons de gestes\u2019 in Emese Egedi- Kov\u00e1cs (ed.), Byzance et Occident III\u00a0: \u00c9crits et manuscrits<\/span><\/em>, Coll\u00e8ge E\u0151tv\u0151s J\u00f3zsef ELTE, Budapest, 2017.<\/p>\n

\u2018Les Occidentaux en Orient: \u00e9change culturel ou conflictuel? Perspectives sur la Chanson d\u2019Antioche et la Canso d\u2019Antioca.\u2019, in Emese Egedi- Kov\u00e1cs (ed.), Rencontre de l\u2019Occident avec l\u2019Orient<\/span><\/em>, Coll\u00e8ge E\u0151tv\u0151s J\u00f3zsef ELTE, Budapest, 2015.<\/p>\n

\u2018R\u00e9\u00e9crire la rencontre de l\u2019Occident avec l\u2019Orient : R\u00e9flexions sur La Chanson d\u2019Antioche\u2019, in Emese Egedi- Kov\u00e1cs (ed.), Rencontre de l\u2019Occident avec l\u2019Orient<\/span><\/em>, Coll\u00e8ge E\u0151tv\u0151s J\u00f3zsef ELTE, Budapest, 2013.<\/p>\n

\u2018Arme \u00e0 double trenchant: le dialogue courtois dans La Chastelaine de Vergy\u2019, in Emese Egedi- Kov\u00e1cs (ed.), Dialogue des cultures courtoises<\/span><\/em>, Coll\u00e8ge E\u0151tv\u0151s J\u00f3zsef ELTE, Budapest, 2012.<\/p>\n

Review Articles<\/p>\n

Reviewer for French Studies.<\/p>\n

Noah D. Guynn and Zrinka Stahuljak (eds). Violence and the Writing of History in the Medieval Francophone World<\/span><\/em>, 68 (2014), 1, 93-94.<\/p>\n

Teaching<\/p>\n

Lecture Series for Papers IV, VI, VII, IX: “France and the French in the chansons de geste?<\/span><\/em>“; Tutorials on the text and manuscripts of La Chastelaine de Vergi<\/span><\/em><\/p>\n

Technical Guidance (dhAHRC and DHCrowdScribe): Pat Lockley<\/strong><\/p>\n

\"patrick.lockley\"<\/a><\/p>\n

Pat is a developer and consultant on the project. Having previously worked for the University of Nottingham and Oxford on a variety of projects including WW1C<\/a>, Great Writers Inspire<\/a>,\u00a0Politics In Spires<\/a>\u00a0and Xpert<\/a><\/p>\n

Pat has won an Association of Learning Technologist’s team of the year award (and has also finished second in the same area). Pat also has a an IMS Global (international elearning organisation) Platinum award for innovation.<\/p>\n

Outside of Universities, Pat has helped develop OpenJoyce<\/a>, a large collection of open educational resources about the author James Joyce, and the Huma Bird Project<\/a>, an open source digital humanities tool. Other examples of things he spends time doing can be found at pgogy.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

About the Project Organisers Principal Investigator: Emma Goodwin Emma is a D Phil Candidate at Merton College, University of Oxford, finalising a thesis entitled \u2018Conceptualising National Identity in late twelfth-century chanson de geste composed in French\u2019. She is Principal Investigator of the AHRC-funded Collaborative Skills Project, \u2018Promoting Interdisciplinary Engagement in the Digital Humanities\u2019 (dhAHRC). Emma … Continue reading People<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-6","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/dhcrowdscribe.com\/crowdmap-the-crusades\/wp-json\/wp\/v2\/pages\/6","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/dhcrowdscribe.com\/crowdmap-the-crusades\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/dhcrowdscribe.com\/crowdmap-the-crusades\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/dhcrowdscribe.com\/crowdmap-the-crusades\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/dhcrowdscribe.com\/crowdmap-the-crusades\/wp-json\/wp\/v2\/comments?post=6"}],"version-history":[{"count":6,"href":"http:\/\/dhcrowdscribe.com\/crowdmap-the-crusades\/wp-json\/wp\/v2\/pages\/6\/revisions"}],"predecessor-version":[{"id":423,"href":"http:\/\/dhcrowdscribe.com\/crowdmap-the-crusades\/wp-json\/wp\/v2\/pages\/6\/revisions\/423"}],"wp:attachment":[{"href":"http:\/\/dhcrowdscribe.com\/crowdmap-the-crusades\/wp-json\/wp\/v2\/media?parent=6"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}